Media Mogul Promoted Child-Sex Artist…

The late S.I. Newhouse and his phallic symbols (ears & carrot) pedo rabbit

SEPTEMBER 8, 2022

NY Times:
 
S.I. Newhouse Jr.’s Collection of Modern Masters Comes to Christie’s


Mr. Newhouse, the Condé Nast owner who died in 2017 at 89, used his billions to amass a large collection of blue-chip modern and contemporary art.

We learn in this article that the late media mogul S.I. Newhouse Jr. — like so many of his “elite” tribal ilk — bought and sold high-price garbage that (((they))) have exalted as “art.” No big surprise there. But what caught my attention was the featured “marquee” item in particular.

From the article:

“The marquee Newhouse lot is Jeff Koons’s sculpture “Rabbit” (1986), estimated to fetch between $50 million and $70 million when it is offered May 15 at the Post-War and Contemporary auction. The shiny metallic bunny is one of only four in existence, and the last in private hands.”

Q-ish students of the child-rape cult already know that the rabbit is often used as code by these Satanic monsters. Further exploration of the other works of “artist” Jeff Koons uncovers a pattern of sex-obsession that includes suggestion of child-rape and bestiality. The revelation that one of America’s mightiest media moguls and culture shapers was a purchaser of Mr. Koons suggestive filth is very disturbing — and should tell you a lot about the “who” and “how” of our cultural and moral decay.

Every. Single. Time. — Under. Every. Rock.

Jeff Coons — degenerate “artist” whose million dollar sex & child abuse trash was purchased by the late media mogul S. I. Newhouse — as well as Newhouse’s good friend, queer Hollywood mogul David Geffen

Now, about the Newhouse family.  The Journo Mafia owned by that wretched clan — established in 1922 by an ex-Rabbinical student birth-named Solomon “Sam” Isadore Neuhaus (1895-1979) — and later joined by his brothers Norman & TheodoreNewhouse — ranks only a notch below that of the Jewish Sulzbergers in terms of media power. And the fact that their name — much like that of the Sulzbergers — probably does not “ring a bell” with at least 95% of the public is further evidence of the awesome scope of this devious dynasty’s hidden power.

Papa Sam’s Advance Publications was eventually passed down to his sons —  Sam Newhouse Jr. and Donald Newhouse — who later took the newspaper and magazine operation to a bigger level before adding on cable TV branches to the empire. Newhouse magazine holdings include Vogue, Teen Vogue, Vanity Fair, The New Yorker, Architectural Digest, Self, Wired, GQ, Glamour, W, Conde Nast Traveler, Parade and many others. The newspaper element includes dozens of pinko papers across the United States — the largest being the Star Ledger of North New Jersey. Cable holdings include Bright House NetworksRandom House Publishing (later sold), and a controlling stake in Discovery Communications.

Whereas the New York-based Sulzberger lie machine spread its Marxist poison across America by way of its newswire service to other newspapers, the Newhouse Mafia, also originally from New York, spread its propaganda directly through the establishment or purchase of newspapers right in the heart of “fly over country.” David Duke once recalled how he, as a teenager, was confused over the gradual leftward turn and subtle anti-White race-baiting of the formerly conservative New Orleans Picayune newspaper. After what he calls his “awakening,” Duke figured out the mystery. The New York Newhouses had purchased Louisiana’s largest newspaper in 1962, along with another New Orleans paper, the States-Item, which was merged into the Picayune in 1982.

1. S.I. Newhouse Jr. was a relatively anonymous GIANT. // 2. Patriarch Solomon (Sam Sr.) was the son of a “Russian” immigrant (Bolshevik) // 3. Grand Patriarch Sam and sons Sam Jr. (left) and Donald (right).  

Through its Advance Publications and Booth Newspapers arms, the Newhouse crime family — every bit as Globalist / Zionist and libtarded as the Sulzberger Clan, owns newspapers (and affiliated websites) all across America. To name a few …

Prior to his death in 2017, Sam Jr. had amassed an estimated net worth of $9.5 BillionBrother Donald, still living, is now said to be worth $19 Billion — ranking him high up on the Forbes Magazine list. Like so many other elitist “philanthropists,” these money-grubbing Marxists bought up universities under the guise of “charitable endowment” — including Sam’s $15 Million to Syracuse University. The Newhouses are also avid “art” collectors and promoters of the rotten degenerate art that has so poisoned western culture. Sam once owned one of the most valuable paintings in the world, a Jackson Pollock drip painting, titled No. 5, 1948. Have a look at what this insane freak paid many millions of dollars for:

Sam Newhouse Jr. (who looks like a Neanderthal) 
was a collector of degenerate art. He 
bought and later sold Pollock’s “drip paint” garbage to 

fellow degenerate art collector and Hollywood sodomite / rumored pedophile David Geffen (Image 3) — who later sold it to some Gentile chump for $140 Million.

In addition to the Fake News end of Advance Publications, the Newhouses, through magazines, book publishing and cable TV networks, also wield vast influence over American culture, fashion and social taste — none of it good. Disguised as “advice on sex,” Newhouse magazines Vogue and Teen Vogue target impressionable women and teen girls with pornographic articles so explicit they would make a Baltimore crack-house whore blush. In fact, “youse guys” may recall that a few years ago, Teen Vogue caused quite a stir by publishing a tutorial on anal sex — for teenage girls! (here)

Promoting Fake News and moral depravity — that’s what this Satanic scum is all about.

″We never went in for titles. We are, basically, anonymous people
. If I were to walk into a room in New Orleans with the 100 most prominent people in town, there may be two who would know me personally. Most would probably know the name and the connection, but they wouldn’t know me personally or recognize me by my face because my public position is non-existent.″ 

— Norman Newhouse, 1985

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