What Is The Mysterious ‘Handbag’ Of The Gods, Depicted In Sumer, America, And Göbekli Tepe?

How is it possible that thousand-year-old depictions of the Anunnaki show the gods carrying a mysterious bag, and halfway around the world we find the same thing depicted by ancient Mesoamerican civilizations?

Depicted by the ancient Sumerian representations of the Anunnaki, the mysterious ‘handbag’ of the Gods is seen in several cultures in America and Göbekli Tepe.

Coincidence?

Compelling evidence — found in the last couple of decades — has proven mankind is a species with amnesia. The countless discoveries made all across the globe has forced us to question everything about the origin of mankind, ancient cultures and history in general.

Slowly and piece by piece, we have been exploring and gathering small pieces of a MASSIVE puzzle that have driven us in the right direction when searching for answers mainstream scholars have not been able to fully answer.

How can you explain the countless similarities among civilizations that inhabited Earth thousands of years ago, which were separated by tens of thousands of kilometers?

Why did nearly all ancient cultures on Earth decide to build Pyramids? And why are so many pyramids eerily similar?

The 10th Sumerian Tablet: The Anunnaki Built The Pyramids

It’s as if nearly all ancient civilizations followed the same blueprint. It’s as if somehow, ancient cultures were interconnected thousands of years ago.

One of the most interesting and mind-boggling enigmas can be traced back to Ancient Mesopotamia — comonly referred to as the Cradle of Civilization — where a mysterious motif has driven many authors to question history as we have been taught.

The ancient Sumerians depicted the Ancient Anunnaki with curious items. Two of the most interesting objects seen in the ancient Sumerian deities were the ‘hand watch’ seen on nearly all depictions, and the mysterious ‘bag’ carried by the Gods.

Curiously, if we travel thousands of kilometers around the globe from Mesopotamia to the Americas, we will find that the ancient Maya, Aztecs and other ancient civilizations utilized the same motif when depicting their deities.

Furthermore, if ew travel to Egypt we will see that the Ankh symbol was also carried around by the gods just as the mystery handbag in ancient Mesopotamia and the Americas.

Why is it that ancient civilizations in America, Egypt, and ancient Mesopotamia depicted their deities carrying a mysterious object in their hand?

Is it possible that all ancient cultures in America, Egypt and Mesopotamia were visited by the same ‘Gods’?

Interestingly, the Ancient Anunnaki were nearly always represented in a humanoid form, even though numerous traits indicate clear differences between the Anunnaki and ordinary humans, the facial features of the Ancient Anunnaki Gods were always well-hidden thanks to the large beards.

Just as the ancient Sumerians depicted their deities in a humanoid form, the Ancient Egyptians and different cultures in the Americas did the same thing.

The obvious question here is why? Why did ancient cultures — separated thousands of kilometers from each other — depict their deities in a nearly identical way?

Furthermore, how is it even possible that the Ancient Sumerians depicted their gods carrying a mysterious bag, and that people halfway across the world did the same thing?

At the archeological site of La Venta, we will find a stone stele depicting the ancient Mesoamerican God Quetzalcoatl, who is curiously holding in his hand the same ‘Bag’ we see in ancient Sumerian depictions.

But this isn’t the only site in Mexico where the curious representation was found.

If we travel to Tula — an important regional center which reached its height as the capital of the Toltec Empire between the fall of Teotihuacan and the rise of Tenochtitlan — we will find their massive ‘Atlantean’ statues, and if we observe closely, we will notice that once again the mysterious handbag is present.

Toltec temple ruins in Tula, Mexico Credit: Pinterest

If we travel to Göbekli Tepe, located on a remote hilltop in southern Turkey we will find the same THING.

Göbekli Tepe is one of the oldest (if not oldest) ancient megalithic temples on our planet.

There, intricate massive stone pillars arranged into a set of rings stand tall and proud telling a millennia-old story when different civilizations ruled the over the planet.

The massive stones were believed to have been carved by Neolithic hunter-gatherers some 12,000 years ago, even though recent evidence points towards the fact that.

The mysterious temple, which consists of three huge stone circles was deliberately buried for an unknown reason in the distant past.

After 13 years of digging, archaeologists investigating the ancient site have failed to recover a single stone-cutting tool.

No one has been able to understand how ancient mankind, which was believed to be incapable of such feasts, erected some of the greatest stone-works on the planet.

Does the presence of the mysterious bag, carried by the gods, indicate that these two cultures connected in a mysterious way?

Why did ancient cultures depict their Gods carrying the mysterious handbag? What was inside it?

And most importantly, how is it even possible that the mysterious handbag is present in different civilizations around the globe — which according to mainstream scholars were never connected?

What if the Ancient Anunnaki—depicted by the Ancient Sumerians — and the Gods who visited the ancient Maya, Aztec, Toltec and Olmec civilizations are in fact the SAME?

What do you think this mysterious bag is meant to represent? Do you think it is just a coincidence that these three sites — and there are more — feature all the same thing?

What could have been carried by the ‘Gods’ that was so important that nearly all ancient cultures had to illustrate it?

Reference: Ancient-Code.com

How ‘Gods’ Created Mankind, According To The Popol Vuh, The Sacred Book Of The Maya

The Popol Vuh which is translated as the Book of the community or Book of advice is an ancient work of literature, a collection of legendary and historical narratives of the K’iche ‘people, the Guatemalan Maya people.

by Janice Friedman

The book, of great historical and spiritual value, has been called Sacred Book or the Bible of the Mayas by many authors.

It is composed of a series of stories that try to explain the origin of the world, of civilization, of various phenomena that occur in nature, etc..

The work is often described as the only book of the Maya that covers a variety of topics including creation, ancestry, history, and cosmology.

The Book also delves into the creation story, how beings created mankind and mention the great flood. This is why we can say that the Popol Vuh is without a doubt the most important ancient text ever written by the Maya, and which remains in existence.

It is distinguished not only by its extraordinary and vast historical and mythological content but by its literary qualities which allow it to be placed at the height of great epic works such as the Hindu Ramayana or the Greek Iliad and Odyssey.

The Popol Vuh is preserved in a bilingual manuscript written by Fray Francisco Ximénez, who identifies himself as the transcriber (of the Maya K’iche version) and translator of an old “book”.

Adrián Recinos, an author from Guatemala explains that: “The original manuscript (Popol Vuh) is not divided into parts or chapters. In fact, the text runs without interruption from the beginning to the end.

Nonetheless, the content of the Popol Vuh can be resumed into the following ‘chapters’:

• Creation
• Histories of Hunahpú and Ixbalanqué
• Creation of man from maize
• Waiting for dawn and the permanence in Hacauitz
• Migration stories
• Founding of Gumarcah and List of generations

In this article, we take a look at the creation story offered by the Maya and what is written down in the Popol Vuh.

We find that the sacred Maya book mentions ‘beings’ who created mankind.

The beings who are said to have created mankind are referred to in the Popol Vuh as “the Creator, the Former, the Dominator, the Feathered-Serpent, they-who-engender, they-who-give-being, hovered over the water as a dawning light.”

The Creation Story

In the first part of the Popol Vuh, it is written how the ‘gods’ raise valleys and mountains from the primordial sea and create plants and animals.

They decide something was lacking, and therefore they went on to create beings that venerate them and make offerings to them.

The first three attempts fail according to the Popol Vuh:

In their first attempt, the creatures are the four-legged animals and the birds, but as they are unable to speak they decide to attempt one more time:

“Our work and our labor has accomplished its end. The earth then was covered with various forms of animal life. And the Creator and Former said to the animals: “Speak now our name!”

But the animals could not speak as a man. Then said their Makers: “Our glory is not yet perfect since ye cannot invoke us. Dens and food shall ye have, but as to your flesh, it shall be eaten. This is your destiny.”

In this new attempt, they form a creature of mud, but it dissolves when wet:

“Again there is counsel in heaven. Let us try again; let us make them who are to be our vehicles and nourishers.”

So the Creators determined to make man.

“Of red earth they molded his flesh; but when they had made him, they saw it was not good. He was without coherence, strengthless, inept, watery; he had been endowed with speech, but he had no intelligence, and straightway he was consumed in the water without being able to stand upright.”

In the third attempt, they make men of wood, but they realize that these beings are incapable to venerate them, which is why they decide to punish their arrogance with a hurricane, making their animals, their tools and the stones of their houses turn against them.

The Popol Vuh explains that monkeys are the descendants of the wooden men:

“Again the gods took counsel. It was decided to make man of the wood of the tzite cork-tree, and woman of the marrow of the zibac (willow); but the result was in no wise satisfactory — they were merely wooden mannikin.

“And these are the people who inhabit the surface of the earth. They existed and multiplied, but had neither heart nor intelligence, nor memory of their Creators. They led a useless life and lived like the animals. They were but an attempt at men.”

In the fourth attempt, they achieve their purpose and create man, who was constructed from maize, the Mayans staple, and sacred food.

The deity Itzamna is credited as being the creator of the calendar along with creating writing:

“Once more the gods commune together and the Creator and Former made four perfect men — wholly of yellow and white maize was their flesh composed. The name of the first was Balam-Quitze; of the second, Balam-Agab; of the third, Mahucutah; of the fourth, Iqi-Balam.”

Here is the interesting part of the Popol Vuh:

They had neither father nor mother, neither were they made by the ordinary agents in the work of creation, but their coming into existence was a miracle extraordinary, wrought by the special intervention of the Creator.

“Verily, at last, did the gods look on beings who were worthy of their origin.”

These men, who know how to fulfil their obligations to their creators, are able to see everything, in time and space, so the gods decide to cloud their vision. This is the humanity that now inhabits the earth.

Therefore we see that in the Popol Vuh, we see that the Creator, the Former, the Dominator, the Feathered-Serpent, they-who-engender, they-who-give-being communed on several occasions, and after several tries, “THEY” created MANKIND.

Does that ring a bell?